Categories
AGM64 Photography Research Project Stage 2 Posts

AGM64 Bushy Park 14 April 2021

At this time, I wasn’t sure exactly how to progress my body of work for Stage 2. I had a few ideas, but nothing had quite settled. There was only one thing to do, which was visit the park with the camera.

Once I arrived in the park, I first visited the tree I had experimented with back in February.

AGM64 Hawthorn Experiment 11 February 2021

The main difference this time was that it had now started to grow leaves.

What was interesting to observe is that only half of the tree was in leaf. There was one side which was still bare.

I then took some close ups of the branches with the budding leaves. These will need further experimentation.

One part of the tree that caught my eye was the top of the trunk before the branches split. I was really struck by the details.

After looking at these images when I arrived home, I created the following Black & White conversions.

When looking at the two images together, it struck me how they ‘flowed’ together. Maybe returning to the concept of building a tree with different elements was viable.

I continued through the part and was starting to realise that the hawthorns weren’t quite ready for their show of blossom. This would be at least two more weeks before any hint of pink could be seen.

What I had started noticing instead was how the leaves of these Horse Chestnut trees while they were growing from their buds. They looked so frail and fragile, like a baby animal.

I then took the following images of the Horse Chestnuts with the Lime trees behind. The Limes had yet to start growing their leaves, so give an interesting backdrop.

I tried the following Black & White conversion with a compositional crop to compare with the original colour image.

Not perfect, but something’s ocurring.

Categories
AGM64 Photography Research Project Stage 2 Posts

AGM64 Trees in Art 10 February 2020

One concept I have considered for the Stage 2 project is taking photographs of the Hawthorns during the Spring. This is when the trees will be covered in blossom.

This thought also coincided with this reference to trees in art:

‘Often, in paintings depicting episodes of the Passion and Resurrection of Christ, one sees images of a desiccated tree and a tree in bloom, indicating the opposition between redemption and sin. The simultaneous presence of the two trees may also allude to the opposition between Church and Synagogue and more generally between good and evil.’

(Impelluso, L. 2004. pp. 16)

I also noticed a similarity between the above painting and one of my initial Hawthorn images.

References

Impelluso, L. 2004. Nature and Its Symbols. Los Angeles, California: Getty Publications.

Categories
AGM60 Research & Development Posts

AGM60 Final Body of Photographic Work 9 June 2020

For Assessment Task 1 of this module, I had to produce a Body of Photographic Work submitted in an appropriate form. For example, a portfolio of prints, an installation, a projection or otherwise. This had to be accompanied by an Artist Statement of 200 words.

The purpose of this Body of Photographic work was to fulfil Learning Outcomes 1 & 2. This was to:

  • Plan, develop, research, and document an extended body of experimental work.
  • Acquire and apply appropriate technical skills as defined by my photographic practice.

 

This is a PDF of the document that I submitted on 9 June 2020:

AGM60 Research and Experimentation Final Images Jennie Meadows 19821184 9 June 2020

Categories
AGM60 Research & Experimentation Posts

AGM60 Artist Statement 9 June 2020

A requirement of Assessment Task 1 was to write an Artist Statement of 200 words. This was to accompany the Body of Photographic Work.

The following is the submitted Artist Statement:

In a time of self-isolation and social distancing, Moments of Eternity encapsulates the disconnected connections between individuals. As with trees, there is an invisible network of communication that enables society to continue working together. These ethereal and surreal images also signify how the ‘normal’ has shifted and viewed in a different way. They also convey the uncertainty of what the new ‘normal’ will be.

Captured between 29 April and 21 May 2020, the series was created from photographs of trees during my walks in Bushy Park. This was inspired by carrying out the government’s instruction of taking outdoor exercise by myself each day. I could combine my daily stroll with photography. I also realised the importance the park played in relation to my mental and physical health. Bushy Park had been my place of refuge several times over the past five years. I had rediscovered this beautiful and ever-changing location and able to reconnect with nature.

Unable to access and use analogue photographic equipment and facilities, I made use of the digital technology available to me. By emulating and combining two analogue printing techniques, I created images that could not be reproduced in a darkroom.

Categories
AGM60 Research & Development Posts

AGM60 Final Research Dossier 9 June 2020

For Assessment Task 2 of this module, I had to produce a formal and critically reflective Research Dossier of 3-4,000 words that supports my Body of Photographic Work.

This was to include:

    • Documentation and reflective critical evaluation of the creative process undertaken during the module.
    • A critical analysis of a set of visual references that demonstrate an appropriate context for the Body of Photographic Work.
    • A critical analysis of a set of historical and theoretical references that support the development of the Body of Photographic Work.
    • A bibliography and list of research resources.

 

The purpose of the document was to fulfil Learning Outcomes 3 & 4 and that I could demonstrate:

  • a clear understanding of the ideas, issues, and different visual contexts underpinning my own photographic practice.
  • a critical awareness of historical and contemporary debates around research-based photographic practice.

 

This is a PDF of the document that I submitted on 9 June 2020:

AGM60 Research and Experimentation Research Dossier Jennie Meadows 19821184 9 June 2020

Categories
AGM60 Research & Development Posts

AGM60 Reading of The Age of Trees – Ralph Rugoff 12 May 2020

As mentioned previously, one of the main influences behind this current project is the exhibition Among The Trees at the Hayward Gallery. As I wasn’t able to attend this in person, I bought the exhibition catalogue to have a better idea of the curation ethos and the concepts involved.

Included within the catalogue is an essay named The Age of Trees, written by Ralph Rugoff (Director, Hayward Gallery). I read this piece on the morning of 12 May 2020 and discovered a wealth of information in relation to the work I was currently producing.

After a couple of weeks focusing on images (including production, editing, etc.), it was the perfect input for me to explore the concepts behind what I was actually doing. For example, Rugoff starts off this piece by outlining the universal importance of trees. This includes aspects such as social, cultural, mythological, historical, religious, iconical, and medical. Rugoff continues to highlight trees’ importance in our language, specifically stating how:

‘in our everyday phrases we find reflections of our long-standing connection with arboreal life: we speak of having roots, of activities bearing fruit, of branches of government.’

(Rugoff, R. 2012 pp. 10)

 

Rugoff continues to describe how:

‘we also make use of dendritic structures as a model for thought and decision-making, including for artificial intelligence’.

(Rugoff, R. 2020 pp. 10)

 

This is similar to my concept of the trees shot in sections, not whole, then combined. This then reverses the dendritic model by applying the concept of people appearing on screens separately but together. My images of trees for this project are a metaphorical representation of how we are currently living our lives.

After this introduction to the concept of ‘trees’. Rugoff continues with his thoughts on the tree’s apparent relegation to the background throughout much of Western art history over the past 500 years. At the time of the initial writing of this post, I was still processing the points made in this piece and the work that was referenced. As such, I will be revisiting the certain aspects that resonated with me in regards to this particular project.

 

References

Rugoff, R., The Age of Trees (2020), Rugoff, R. and Mues, M., 2020. Among The Trees. Hayward Gallery Publishing.

Design a site like this with WordPress.com
Get started