Author: jenniemeadows

Further to the 14th July interim review the final weeks of the summer period are enable my production of final work for Assessment Task 1 to be resolved for exhibition display and assessment.

Unfortunately, due to personal circumstances I was unable to attend this essential session.

The following is an adapdation of the email received from the Module Leader, Fergus Heron, on 16th July 2021.

I will plan the forthcoming independent study period to carry out professional standard realisation and preparation of my final work accordingly.

The module supports acquisition of skills in the preparation of work for exhibition display as described in the module handbook and specification (LO4).

This Learning Outcome 4 for AGM64 is to:

I am, therefore, required to show an example of my work, fully realised with appropriate attention to details of framing and/or installation in exhibition display for Assessment Task 1: Submission of a body of photographic work.

AGM64 Assessment Task 1 is to:

Task 1 (70%): For me to submit a Body of Photographic Work in an appropriate form, e.g. portfolio of prints, gallery installation, projection.

The exhibition display of final work is curated by staff as described in the module specification. This is to ensure thematic coherence and to enable as effective preparation as possible for future professional exhibiting practice.

Preparing my work is most usefully understood as part of the process of participating in an independently curated group show and not as a solo show.

Completion and Submission of Exhibition Display Proposal Forms

A proposal form for final exhibition display accompanying this guidance was available for download and completion from the Module Information folder. I eventually found it and here is the blank version on which I will base my proposal.

I will read the notes in the form and complete with as much detail as possible.

• Once I have completed the exhibition proposal form, I will submit the form through Turnitin via the assessment area in the module folder on Student Central

• Deadline for me to submit my exhibition proposal form is Monday 2 August at 23:59

• Response to my proposal will be provided by staff on Friday 6 August by 12:00 

Submitting Work

It is understood that it may not be possible to prepare all final work for exhibition display for a variety of reasons. Therefore, my options for submission of the final body of work include:

• Exhibition – all final work submitted for exhibition display

• Portfolio – final work mostly presented in a folio box with one to three example/s prepared for exhibition display

• Exhibition and Portfolio combination – a selection of work prepared for exhibition display with an additional volume presented in a folio box

Please note that my work will be marked according to how published learning outcomes are achieved regardless of which of the foregoing options are taken.

There is no need for me to duplicate work from exhibition in a portfolio – or vice versa.

With the option of assessment by exhibition display only – I must be aware of the integrity of my work in balance with a realistic use of space as part of a group show.

A useful guide for estimation of space would be around five meters for display of prints on the wall. I have to admit that I have no idea if that is 5 meters square or 5 metres across. I will have to clarify this with Fergus before going ahead with my proposal.

I will also take in consideration that works will be allocated more or less space as appropriate in the interests of the overall coherence and effectiveness of the display.

Invigilation

There is no requirement for myself or any of the student cohort to invigilate exhibition this year. Displays of work will occupy secure areas of university buildings monitored by CCTV.

Display Methods

Methods of display appropriate to my work was to have been discussed at interim review.

As I wasn’t able to attend, I will raise this with the Module Leader, Fergus Heron. At this stage, I have an idea as to what work will be displayed and how, but nothing concrete.

What is certain at this stage is that I have concerns and uncertainties due to the lack of communication and the missed key session of the final Mid-Review on 14th July.

The following was suggested by Fergus:

A common contemporary form of professional display for smaller works involves taping prints invisibly to the wall using a combination of masking tape and double-sided tape; masking tape applied to reverse edges of the print and correspondingly onto the wall is joined with double sided tape.

Alternative taping methods include attaching lengths of invisible tape to the reverse of the print with a half width of the adhesive side of the tape facing forwards that is subsequently taped to the wall. This method avoids contact with the print surface. Please consult staff for further detail.

Other fixing options include pins/nails applied to the corners of prints driven into the wall. Consider the appropriate type of pin/nail and print border if this is a preferred display option.

Print mounting is usually desirable and sometimes necessary for larger work.

If considering mounting and framing work for exhibition, ensure a professional print mounting service and/or framer with knowledge and experience of mounting/framing photographs as artworks for exhibition is consulted and commissioned.

Mounting options include Spectrum Photographic (Brighton) and Metro Imaging (London)Professional Photo Printing + Mounting – Spectrum PhotographicProfessional photo & giclée printing, exhibition quality master printing, and mounting, all to archival museum standards

Metro Imaging – Professional Photo Printing, Mounting and Framing

Recommended locally based framers (Brighton and Lewes):

https://www.rainsfordjames.com/

https://www.kingsframers.com/

Professional standard frames can be ordered online:HALBE-Rahmen GmbHBuy Picture Frames & Accessories in our online shop ✓high quality frames made to measure ✓aluminium or solid wood ✓many colours & sizes. Order now!HALBE-Rahmen GmbH

Check shipping rates from EU*

London based art and conservation framers include:

http://www.darbyshire.uk.com/

https://lockanddavies.co.uk/about

https://www.pendragonframes.com/Pure & Applied | London Picture Framing in SE1Pure & Applied, Conservation Picture Framing in London, SE1. Over 35 years’ experience including traditional and contemporary picture frames, canvas stretching, painting restoration & more. Visit us today.Pure&Applied

Be aware conservation framing can be costly and should be considered if financial resources are available for single or limited numbered works.

It is not essential to frame or mount work. Fastening prints to walls with tape or pins can be as – or more – effective depending on the nature of the work. However, if you choose to mount and/or frame, the work must be carried out to an appropriate professional standard.

All mounted and framed work should be ready to install with appropriate fixings that can include strap hangers, split battens, Ryman hangers, reverse mounted slotted plates, etc. Discuss requirements with the mounter/framer accordingly.

Lightweight mounted works (e.g. PVC or kapa board) can be secured with adhesive fasteners such as 3M command strips that are widely available and should be supplied by you with the work upon submission.

Staff with exhibition curation responsibility reserve the right to exclude any ineffectively or inappropriately presented work from the exhibition display. If you are in any doubt about presentation of work for exhibition, or if you have any questions, contact the Module Leader.

Projection Installation and Screen-Based Work

I need to discuss equipment requirements and details of planning with staff as early as possible. It is essential that any projection installation or screen-based work is ready to install according to plan.

Considering my current circumstances, I know the best strategy is to keep things simple and focus on physical prints and a portfolio. I do either want or need further stress configuring further work for either projection or creating a screen-based piece. I am very disappointed that I feel unable to do so, but I have to pace myself and amount of work to enable me to complete my MA Photography successfully.

Risk Assessment

If my work is likely to involve any risk to myself, fellow students, staff or visitors, it is essential that a risk assessment is carried out and appropriate measures implemented. Please contact the Workshop Manager and Module Leader accordingly.

Exhibition Information Text and Contact Details

Displayed work may be seen by visitors. Information on displayed work will be situated in the building reception area as a written description with key to works on an A4 paper sheet. If I wish for your artist website and/or email address to be included please inform the Module Leader. Display area walls will feature works only.

Pricing and Selling Work

Any potential sales enquiries will be directed to individual students and should be independently negotiated following display take down.

Some useful advice on pricing and selling work is available on Artquest:ArtquestArtquest encourages critical engagement and provides practical support to visual artists throughout their careers.Artquest

Display Take Down and Collection of Work

Detailed arrangements about take down of displayed work will be notified through further Announcements in the My Studies module area.

I will ensure transport and storage arrangements are made for my work. Onward transportation and storage of work beyond the display cannot be arranged or provided by module staff. With thanks in advance for understanding.

I will be able to collect my portfolios submitted for assessment following marking and external moderation processes. Notification will be made through Announcements in My Studies.

Key Dates

Deadline for submission of completed exhibition proposal forms Monday 2 August

Deadline for submission of Task 1 coursework Tuesday 31 August by 13:00 to the office Edward Street 204 (submissions can be made from 13:00 on Tuesday 24 August by request to the Module Leader) Research Dossiers for Task 2 to be submitted through Turnitin by 23:59 on Tuesday 31 August.

Availability of work for collection Wednesday 8 September from 12 noon.

One part of Task 2 for AGM64 Photography Research Project Stage 2 is to give an Artist Talk of 20 minutes.

This is to fulfill the Learning Outcome 5, which is for me to demonstrate my ability to present my photographic practice in this particular form. The purpose of doing so will enable me to develop clear verbal articulation of photographic practice at a professional level.

The Artists Talks will be held on Wednesday 16 and Wednesday 23 June 2021. The following is notation of who will give their Artist Talk on which day and at what time.

Wednesday 16 June

10:00 – 10:30 Juliet Ballard

10:30 – 11:00 Huiyi Luo

11:00 – 11:30 Tony Da Vall

11:30 – 11:45 Break

11:45 – 12:15 Beth Nicholls

12:15 – 12:45 Elizabeth Doak

14:00 – 14:30 Abi Evans

14:30 – 15:00 Hanna Gabler

15:00 – 15:30 Miao Fu

Wednesday 23 June

10:00 – 10:30 Ola Teper

10:30 – 11:00 Bill Brooks

11:00 – 11:30 Lorraine Edridge

11:30 – 11:45 Break

11:45 – 12:15 Torz Dallison

12:15 – 12:45 Esme Follas-Shell

14:00 – 14:30 Mark Perkins

14:30 – 15:00 Jennie Male

15:00 – 15:30 Syl Ojalla

Talks will take place in MS Teams and I need to feature a slide show in assisting in my verbal presentation.

As such, I will ensure familiarity with MS Teams share screen and access to slide show file as required. If necessary, I will contact Technical Support via the University IT Service Desk as required.

Each talk will be of twenty minutes duration with a further ten minutes for questions, comments and discussion.

My talk should be evidenced appropriately in the required Research Dossier to be submitted for assessment as part of Task Two. An illustrated transcript or a link to MS Teams recording can be included as appropriate.

To support preparation, I will look at good online examples of recorded artist talks include Tate Shots, ICP Lecture Series, Arts Council etc.

I will also look at the Module’s Study Materials which feature a selection of examples of online recorded artist talks for reference.

I will, along with all Full-Time and Part-Time Year Two Students, attend both days of talks for the full duration and I should be prepared to offer and accept supportive feedback with my classmates.

Small group tutorials will take place on Wedneday 2 June. The following will be updated once these have taken place.

The purpose of these tutorials is to discuss project development in detail with reflection on feeback offered in intermin review. Advice in support of ongoing research and preparation for artist talks can also be offered in these sessions.

I will need to bring project work in progress for discussion.

The sessions will run for the morning only (10:00 – 13:00) in two parallel groups.

Room: ES305 with Fergus Heron

• Abi Evans
• Bill Brooks                  
• Esme Follas-Shell
• Huiyi Luo
• Juliet Ballard
• Mark Perkins
• Ola Teper
• Tony Da Vall               

Room: ES304 with Xavier Ribas

• Beth Nicholls
• Elizabeth Doak
• Hanna Gabler
• Jennie Male
• Lorraine Edridge
• Miao Fu
• Syl Ojalla
• Torz Dallison