Categories
AGM59 Professional Practice

AGM59 Professional Practice Key Resources

The following is a list of relevant online resources for this module.

ArtQuest: advice, information and opportunities for visual artists
Artquest uses research about visual artists working conditions, career barriers, and motivations to develop the professional information, advice and projects that they need. This is an invaluable resource you’ll go back to time and time again. Have a browse now to see the wealth of information they have and use it to go back to when you have specific enquiries (for example on Art LAW, or in HOW TO sections).

a-n.co.uk Art News: networks, opportunities, articles, listings and more 
a-n provides information, research and debate for visual and applied artists. It is a not-for-profit company, with annual subscriptions. Art news is a network and a community where you can find opportunities for making work, getting residencies and see what else is happening in your community.

Artists U Everything we do is artist-to-artist and free for all participants.
Artists U are based in the US so not so handy for face to face stuff, but they have some great resources and is completely artist-led. See specifically: “Making Your Life as an Artist” by Andrew Simonet (2014) – Free book to download here

Categories
AGM59 Professional Development Posts

AGM59 Notes on Effective Social Media 16 February 2021

The following are notes taken from ‘Effective Social Media – How to capture your audience’ in Navigating the Art World: Professional Practice for the Early Career Artist (2nd Edition). Delphian Gallery: London. pp.34-41.

This reading was in preparation for the session planned for 17 Februrary 2021 and will contribute in completing my tasks for the AGM59 Professional Development for Photographic Independent Practice.

The following covers advice on the effective use of social media, websites and blogs in relation to this.

Instagram

At the time of this project, the most useful platform for emerging artists is Instagram. I already use this platform

Types of Feed

Two types of Instagram feed:

  1. Visual Diary Approach
  2. Gallery Approach

Visual Diary Approach

  • Treats my feed like a journal or online sketchbook
  • Personal – appeals to collectors and patrons who want to know more about my personality before they decide to invest
  • Good feed to utilise if I am hoping to attract galleries and curators (these contacts want to look both at my work AND a little more information about me as a person:
    • Interests
    • Inspirations
    • Methods of working
    • Works in progress
  • Visual Diary approach is conducive to:
    • Garnering more genuine engagement
    • Promoting actual discussion within comments
  • May not generate as much overall engagement as the Gallery Approach, but is much more likely to create genuine connections with my fanbase, both between me and my fans and between fans and other fans
  • People are more likely to comment encouragement and critique on posts using a Visual Diary Approach
  • Good for displaying more of my personality
    • Share insecurities and failures as well as my triumphs
    • Humanises me
    • Helps my supporters feel they know the ‘real’ me
    • Makes fans and collectors invest in the artist, not just the artwork
  • Captions and responses to comments can be a lot more informal and conversational
  • These are nicer to write and nicer to read

Gallery Approach

In contrast to the Visual Diary Approach, a Gallery one:

  • Shows very little personality in favour of expertly taken images of works on pristine white gallery-like walls.
  • Captions are often formal and written in the third person
  • Artist’s voice largely absent
  • Gallery account is successful when the artist is already established and doesn’t want/need direct connection with supporters
  • Good for practitioners, such as:
    • Commercial photographers
    • Commercial illustrators
    • Commercial designers
  • Learning about the personality of the artist is less important for commissioning editors or art directors
  • Getting the job done to spec is more essential to these roles than knowing the artist’s personality (in my personal experience)

Conclusion?

  • Both approaches can be useful for different reasons
  • Good to spend some time deciding which one suits me and what I want
  • Can run both in parallel, especially when more established (my thought)

Driving Engagement

  • Engagement must be genuine.
  • What I want is (ideally in this order):
    • Comments
    • Reposts
    • Direct messages
    • Likes

Notes on Comments

  • I want comments on my posts that go beyond the ubiquitous ‘great work’ and give something more ‘human’
  • Any comments will help drive overall engagement
  • Actual conversation within the comments is more useful
  • ‘Like’ comments my photos receive
  • Respond to the comments
    • Has taken commenter valuable time to make a comment
    • Nice for the commenter to see that their act has been noticed
    • Helps drive engagement to their account
  • Social media is SOCIAL
  • The more I engage with people (both on their accounts and on my own one/s) the more they will engage with me in turn
  • By encouraging engagement on my own account, I should be giving what I hope to receive across other people’s accounts, too
  • I should comment upon works I love and say why I love them
  • Don’t stick to the ubiquitous single word affirmations or banal ‘thumbs up’ emojis
  • Don’t offer critique, unless requested, or appear to be derisory

Notes on Sharing

  • Some of the most successful accounts that the writers of this book know of post their own work as often as sharing the work of others
  • May seem counterintuitive, but it pays dividends
  • Account that share other’s work are more varied, therefore more widely appealing
  • Important to share images that won’t look out of place on my feed
  • When done well, these additions can benefit the whole
  • Becomes greater than the sum of its parts
  • Can be done in either posts or stories
  • Both are good for different reasons:
    • Stories: temporary and immediate and free of the negative effects of the selective algorithm that can affect how my feed is seen by others
    • When sharing a work to a story, tag the artist always so they know I’ve posted it
    • By promoting dialogue between me and other artists, it creates the potential for them to further share my profile through reposts
    • Personally, I would share other’s work in stories as the images of other’s would dilute my feed

Capturing My Audience

  • What can I do with my audience once I have them? Bring them from my social media to ‘something closer to home’
  • In an ideal world, that would be to visit my shows and buy my work, but this happens in the physical world
  • Often needs to one or two more steps in between this and discovering me online

Website & Blog

  • These platforms and methods of communicating are essential in bridging the gap between being visible and discovered on social media and the desired outcome of people visiting my shows and/or buying my work
  • Incredibly useful tool in giving potentially interested parties more information about myself and my practice and bringing them in closer
  • A website serves many functions that are absent from my social media
  • A well-ordered website is essential, and the most efficient use of the site would be to include a blog
  • This blog, when used effectively, can help drive traffic towards social media and vice-versa
  • Keywords and an effective SEO (search engine optimisation) approach is useful to optimise how the blog performs online
  • Ideal blog would be updated as often as is possible and contain more text than images
  • The blog can be used to provide further insight into my practice and/or inspirations
  • Optimum use of a website/blog can work for my online presence (in terms of SEO and being ‘searchable’
  • This optimum use can also supplement my social media
  • Content that I present should be specific to each medium (main website, blog and social media)
  • Each has different strengths and weaknesses:
  • Website:
    • Main website should contain all details:
      • Personal statement
      • CV
      • List of other engagements (shows I been in and other relevant information)
      • Images on website should be the high-resolution photos of finished works, shown either cropped to only include the work or in an interesting setting – think of it as a retrospective show and only include my absolute best work
  • Blog:
    • A bit more informal
    • Contain a lot more text
    • Talk about things as they are in progress
    • Can link to my social media
    • Where appropriate, build upon or give more details to things I have posted there
  • Social Media:
    • Use as outlined above
  • Website, blog, and social media should be used in synch direct traffic between them

Mailing List

  • Can bring my social media following into my mailing list
  • Can ‘future proof’ if Instagram or alternative social media platforms become defunct or change
  • When done correctly, can be the lifeblood of my business
  • Encourage my followers to be on my mailing list
  • Whenever anyone buys or expresses an interest in my work, put all my details in a spreadsheet to keep a record
  • Gives me a bank of people who I can be certain have a tangible interest in my work
  • Whenever I release a new print or start planning a new show, these are the most likely people to be interested
  • Ways to get people to sign up to my mailing list include using:
  • Swipe-up functionality within stories
    • Adding my signup address in my bio
    • Mentioning my mailing list in my captions
    • Mailing list sign up box can appear as a pop up on my website
    • Can also remain permanently in a side bar on my website
  • Make sure I am GDR compliant!
    • All those on my mailing list have in some way consented to be contacted by me
    • When people unsubscribe, don’t be disheartened – think of it as part of honing a tight, dedicated list that has a genuine interest in what I am doing
  • Optimise the open rates of my mailing list using techniques such as personalising the ‘To’ field of my message, verifying my email and authenticating my domain
    •  Is fiddly, but they will really help me ensure my messages do not get redirected to junk by spam filters

Conclusion

  • My social media shouldn’t be treated as a business tool
  • When used appropriately, can be of great benefit to me
  • Treat it with the respect it deserves
  • Get the best out of Instagram while it is around
  • Social media may change, but don’t fear this aspect
  • Adopt, adapt to, and utilise whatever new media is available in the most efficient way possible
  • Using social media in the most efficient way is to bring any followers I attain closer into that fold and create a like-minded community
  • Once I have this community, I should strive to extend that community BEYOND the confines of whatever platform I found them on and towards other more stable platforms, like email

In addition to this very useful advice, the following observations and advice supplied by Artquest should be taken into consideration:

Reference

2020. ‘Effective Social Media – How to Capture Your Audience‘ in Navigating the Art World: Professional Practice for the Early Career Artist (2nd Edition). Delphian Gallery: London. pp.34-41.

2021. Artquest. [online] Artquest. Available at: https://www.artquest.org.uk/how-to-articles/social-networks-and-blogs/ [Accessed 11 May 2021].

Design a site like this with WordPress.com
Get started